cellosong: (Default)
(10:51:20 PM) Jasmin: poetry is a harsh mistress
(10:51:28 PM) Cami: Is it
(10:51:32 PM) Jasmin: when she wants me, she wants me now.
(10:51:35 PM) Jasmin: if I am driving at the time
(10:51:45 PM) Jasmin: then later she sulks and refuses to tell me what she wanted
(10:52:02 PM) Jasmin: BLANK PAGE BLUE BALLS
(10:52:26 PM) Jasmin: that's going on livejournal because of how true it is.
(10:52:27 PM) Cami: HAhaha
cellosong: (Default)
It's getting on.  It's been a few months shy of a year since I went on anti-depressants for the first time.  A couple of weeks ago my old dose stopped working.  They doubled it.  I am not back to normal yet.

It is bizarre to me how gray the world is.  How devoid of excitement, awareness, enthusiasm.  I used to love to learn, to love to go to class, to love to do work even.  Now I sit in my room and sleep, missing all the things I used to love: choir, dancing, reading, learning, hanging out with friends.  None of them seem to fill up the silence hole in my head, or in my heart.  I am guilty because I promised to do all these things, and it's my senior year.  I want to party, to learn, to make last ditch connections with others to make me last in their mind as someone other than the drab gray girl who looks always at the edge of tears, unwilling to connect because all she has to share--all I have to share--are feelings of desolation.

My good moods are fleeting, if the exist at all.  If depression is two or more weeks in the same funk, I suppose I will consider myself treated by this new dose when I have two or more weeks outside of the funk.  The funk is omni-present.  I am boring and trite.  I am hateful.  I cannot write poems that are worth reading.  I cannot read books that are worth writing.  I sleep.  I have stopped eating all that much.  Today I ate a banana, a granola bar, some chips, and a bowl of raisin bran.  My body is on a diet that I haven't imposed on it.  It has stopped being hungry.

Moreover, I am tired of Knox.  For now.  But I think that's the depression.  I remember loving it here.  I wish that would come back.  The brisk weather, sunny, cool, full of crunchy leaves lifted my spirit slightly as I walked to the train station this morning.  When I got home to Galesburg it was gray and gloomy. 

Right.  I went to Chicago.  On a whim.  I slept both ways.  I don't know what to do about the boyfriend.  It is hard having him far away.  I don't know if I can do it, especially when I'm like this.  On the other hand, I don't want to make pessimistic decisions when I'm like this, so I guess I'll wait until I'm treated.

I don't even have the energy to hate this.  I just dwindle.  That's pretty much all I do these days.
cellosong: (Default)
My world, fast, brightly colored, poorly tacked together from scraps of things that used to be--the curve of a hip, a back, warmth between me and the open air--a bandage keeping out the dirt, letting me heal.  I brushed my hair and sat numb at the keyboard and ate peanut butter and watched the minutes go by before the sanctity of my room was interrupted by refluxing complexes of SnI4 and spring time madrigals and mathematics.

I didn't go to class.

Sarah is going to murder me.
cellosong: (Default)
I walked home and felt the mist, and saw only the trees we used to climb, or the tree I used to lay on we you were gone as you are now.  You were in the quiet night interrupted by trains and I wasn't alone.  Then I walked inside my cage and slept.
cellosong: (Default)
I don't feel like a real person today. I sort of floated around my job and said some things. Someone said I looked like I was going to pass out. I was more worried that I would see a shelf but not acknowledge it as existing or able to affect me or forget what it was and walk right into it. I'm not on any mind-affecting drugs despite my wisdom teeth coming out.

I saw a woman with a fall of hair that made me say 'woah' out loud. It looked like feathers in the front. I think the ponytail was fake, but it was beautiful anyway. If she had popped her gum, I might have loved her, but as it was I just watched her go up the escalator and come back down in skinny jeans and tall black boots with a faux fur coat and thought about the 80s. But her hair was beautiful.

I who haven't washed my hair in... a bit... was jealous. Mine is tamed and stuffed into a corralled pony-tail.  Hers was wild horses, despite probably being fake.

I just liked the feathers.

I would like to wake up, I think.
cellosong: (Default)
ETHERS ON A BENZENE!

When Sean Jones witnesses attends a(n) murder organic lab, he is asked to fly take a series of data from Hawaii infrared spectroscopy to Los Angeles nuclear magnetic resonance to testify against figure out the notorious gangster unknown, Eddie Kim (?). However, Kim has paid an assassin to release a crate-full of deadly totally fucking invisible snakes ethers loose when the plane benzene group is 30,000 feet in the air

...

30,000 feet in the air.  Only FBI agent Neville Flynn can protect Sean and rally the passengers together in hope of landing in L.A. turning in the lab tomorrow alive.

Rated R for language, and intense sequences of terror and violence.

360 min

"I have had it with these motherfuckin' ethers on this motherfuckin' benzene!"

--

Seriously now, what the hell.  Those little ether bitches don't show up on anything, and I'm like, oh, where's the other oxygen, I'm missing an oxygen, and then it SHOOTS OUT FROM UNDER THE SEATS AND BITES OUT YOUR EYE.

...okay, well, at least I finally found it.

In my eye.
cellosong: (content)
Haha, went to bed at 5am last night after watching Six String Samurai, probably the best movie ever besides Zombie Nation (they don't even have it on IMDB, it's about a cop who murders women and they come back as vengeful zombies to pwn him) which we opted not to watch in favor of what was clearly the better movie. The synopsis went something like "lone man fights through Bowling League bounty hunters, cannibal family, Windmill God, the Russian Army, and has an epic showdown with Death to become the next King of Rock and Roll in post-apocalyptic America."

Fuck yes! I will watch that movie!

It was amazing.

---

I remember the smell, the taste, an acrid tang that rolled to the back of my throat and nestled comfortably around my gag-reflex, where no amount of coughing would dislodge it. The smell of ozone and blasted pavement, and over all the ring as cells died inside me at a rapid rate; when they finished, I'd never hear that exact pitch again. I'd read that somewhere. Something wet was pooling under my cheek, and when I tried to raise my hand to feel it, I met resistance. Jo was making tentative movements beside me as well.  Sam was limp in the passenger's side, and I could only see the back of Lewis' head. He was bleeding sluggishly from where his head had impacted the door frame.  I noticed we were on our side, that I was lying nearly on the ground, and that the seatbelt had done nothing to prevent my fall, my cheek from impacting the shattered glass that it had been pressed against before.

Before what? )
cellosong: (Default)
nearly changed my old layout, and then decided not to.

---

What really fucked me up was that after it happened, the blinkers on the construction barricades still flashed. The streets were a wasteland, but the barricades still lit regularly to warn us of potholes and rifts that had been our greatest concern, at least before.


It was a zombie night. The one where it's just after two in the morning and the streets are eerie with the street lamps that would usually shine protectively over us. A vague air of menace, like something was poised to come shambling out of the darkness at us--a slow sure fate. Before we left Cooper's house, Jo was looking at the sky like it held the promise of something. When the rest of us gobbed out of his front door, hushed grins on our faces still throwing lines from the movie out like a promise of camaraderie, we saw that the sky was pregnant with thunder. The lightning was coming in blue flashes, ethereal against the orange sunrise of Chicago, but we were young and full of laughter, and only Jo watched.

"It's strange like that," she said in the half-dark, catching up to us at the van, "without the thunder." We snuck furtive glances at at the sky and found nothing, murmured agreement, clambered inside. "Don't you think?"

"It'll rain tomorrow, maybe. Maybe it won't be so humid." I pulled half-heartedly at the front of my shirt to let the clammy air in, and shuddered. Somewhere between the bright red of Cooper's door and the van my good mood had melted off of me; soluble, perhaps, with the dead wet heat that had lain over the suburbs for days. It stole into your nostrils and pounded on the inside of your skull when you sat up too fast, deposited lead in your limbs, and made even the dogs too lazy to enjoy the summer time. How could they--when their tails wagged they looked like weightlifters, straining. The headlines had been saying it was the worst heat wave to hit the city in years, had said there were already casualties to the weight of the heat and water in the air--how it weighed them down and sweated them dry. That we should drink water to stay hydrated but none of us could stand to, not when we felt like drowning in every breath. Pray for rain.

"Maybe," Jo said, "but it doesn't look like rain."

"There's a storm at least, right?" I countered, pressing my cheek to the thick glass of the back windows as the sky rolled overhead.

"No thunder though," she said, almost sullenly, leaning back into the seat beside me. It was really bothering her.

"That happens all the time with summer storms, doesn't it?" I aimed my query at the front seat, not really caring, but hoping consensus from the boys would get her to stop thinking about it. Lewis, in typical silence, shrugged his shoulders, which no-one could see. Sam tossed a thoughtless affirmative, and started enumerating what would happen if Lewis crashed the van due to fatigue. Jo pursed her lips, obviously not mollified. Meanwhile, Sam had reached over to gleefully tickle Lewis with his long engineer's fingers under the pretext of keeping him alert. Lewis, unamused, made to swerve the car back and forth, trying to scare Sam off his mission, but only alarming Jo and me. Jo, having had enough of Sam's early morning antics, booted the back of his chair. The world exploded into light, and the screech of our tires against the pavement was lost in Jo's thunder.

It came in waves, roaring from everywhere, and simultaneous with the hot blue light that seared through the windshield and devoured the pockets of darkness in the van, burning our shadows bare and blasting the dark of the van's metal into our eyes. I think I screamed, but I couldn't tell, because the noise ate everything. Invasive and pounding, it tore our senses along with it to the pinnacle of their sensing and burst them there, exquisite hearing and the deafness, deafness or noise, one had gone so far as to become the other and there was either nothing or everything and I jerked frantically as if held down for the violation and splintering of my skull, the sundering of the thin skin over it and the air over that, every gunshot ever fired on this Earth directed at my ears and fired in unison but forever and they would tell us later it rose and fell but to me it was a silent and terrible scream or the voice of God and the light if we let in it would cleanse our soul with fire.


It was an hour before I could see the color grey again.


It was two before I could see shades, and three before I could see the rifts and seismic chunks of the intersection just ahead of us. We would hear only the ring for days.


---

*blurbles*

...bed...
cellosong: (Default)
I can hear thunder outside--or fireworks.

I imagine that it's rain and I'm on a train, though.  It's night, and the light in the cabin is dim, and I'm moving across the country with a soft irregular pattering on the window.  It's like being in an egg.  It's transient.  It's secret.  I'm moving in the darkness. 

I'm listening to music--with my eyes open and dark in the light--my feet are curled under me, shoeless. 

They're fireworks--rain doesn't scream.
cellosong: (Default)
I have these fits of anger where my arm muscle wants to throw whatever it's holding, and I don't move, but the ghost of my arm is throwing what ever it was into the wall.  I watch it fly, and bounce or break, but there's no release.  I didn't do it.  I never do it. 

If I was seeing me, and we were two, we'd get in a knock down drag out fight.  I'd pull me down the stairs by my hair, because it's in a nice bun which is about fist size.  And oh, how I'd slap me.  I'd like to feel every bit of it.  I want to fly and bounce or break, but there's no release.  I don't do it.  I never do it.

Would if I could, can't so I won't.
cellosong: (Default)
I can't imagine anything better than the stars in a dark night, the street lamps hanging low and white like a mist. Just coming from rehearsal, and the dark swing of jazz is replaced by the late evening air and a string quartet playing on the stairs, just playing. The trains are running on both side of the campus, and the ambient noise of Knox is a lullaby keeping time with the musicians. It's cool, and dark, and your feet in sandals get wet when you take a short cut across the grass. Night dew, gracing the green after the sun has left, and the cooling air deposits its water on the lawn. Spring, if not entirely decided as the season, is in your step--you vivify; the music, the clacking of the tracks, the dew, the cool evening, they all caress your senses. You are a tingle in their wake, and the violin follows you all the way around Seymour, bouncing off the buildings to find you even around corners, when you can no longer turn and look for the four figures on the pavement, an afterthought.

The sanctity of the moment makes song in your throat, and you're humming a dreamy air to yourself and whoever has their window open on the second floor even as your keys jingle and you're home and writing.

Knox is pretty awesome.
cellosong: (Default)
Lines I've read wrong that would make good poems:

"even where Persephone goes" -> "where every Persephone goes"

Angry writing day:

it has been twenty to seven for days
the second hand still in its death throes
has spasmed normal time for as long
unable to give up its rhythm even in agony.
concious of its emptiness, barely lit
the door produces a constant tapping
as if nearly closed at twenty to seven
like being hollowed by a woodpecker--
if I could produce one good line,
six words strung together as never before
that would bring tears to the eyes of even
the grease and sweatstained beer drowned
sailors who have not only run aground but
have lost the sea
can't say I'd die happily or without regret
but at least I would have proven that somewhere
inside me through all the bluster I had them,
shining softly,
shining somewhere,
I had them.

I don't know how to start a novel, so I don't. I've met people who thrive on the first sentence of a novel, hopping from book to book to find their hearts in 'this', 'it', 'the', or any of the other words that desperately seek you, implant themselves in your mind, and are quoted to your children, your lovers, your friends. The words that slice through your head in clarity, in light. The ones that make you feel you understand the world perfectly in the moment you open your mouth to quote them. I hate them. I hate all good phrases that open novels. I hate perfect lines--if they bring tears to my eyes, they are tears of helpless rage, because none of them are mine. None of them. I love words, but I have never been loved by words. They cavort like whores, flashing their white thighs, licking sensuous lips, letting me catch glimpses of their secret places, laughing and running when I draw near panting for the want of them, my eyes on fire. No... they never come to me. Some find one word, others a phrase. Some writers find chapters, novels of them--whenever I see them, I know they're smirking. They're laughing at me, a writer without words. Hardly a writer, never a poet. You will move no-one. Your soul will never be remembered, indistinguishable from the others--a sailor who has not only run aground but lost the sea. You will claw at the world until your fingernails have cracked and bent, until you wear the tips to the bone and your grasp slips for the blood on the ground, but you will never mark it. In the end, the grass that grows over your body will be the only living thing to benefit from your life--and then only because what lives must die. They don't have to say it. I know. The real kicker is that I probably just have a case of the Mondays.
cellosong: (Default)
If Solution of HCl is Basic, Says Student, I Will Eat My Hat

(Knox College, Galesburg IL) The Chemistry lab is usually disturbed by things like explosions, not by the students wondering whether or not their solution of strong acid is slightly basic--something they find more disturbing than explosions, which occur on a semi daily basis. "I don't know what's happening here," said one student, eyes haggard and skin pale from staying up for three weeks straight, "I used the equations in the book the way they said they should be used, and it said the pH of my HCl solution was 8! I just don't know how--" the first student was drowned out, as another student in the background began screaming as an unknown solution was spilled on the back of his hand. When asked how to treat the spill, with an acid or base, the student cried out, "I just don't know anymore!" Chaos (or entropy, as the locals call it) ensued mightily as (continued on page 3B)

If These iPod Wires Twist Around Each Other Again, I'm Going to Kill Bill Gates

(Knox College, Galesburg IL) In a fit of misplaced anger, believing Bill Gates to be responsible for all computer and electronic related problems, a student professed a desire to murder the multi-billionaire for the propensity of electronic wires to twist around each other for absolutely no reason. "I just put it in my pocket, damnit! Twenty seconds later, the **** wires are twisted all around each other! How did it get like that! What the **** is going on!" ranted the insane student, waving an iPod angrily in the air, "I swear if it happens again, I'm going to go straight to the source and kill Bill Gates!" When it was explained to the student that it was not in fact Bill Gates' fault that the iPod was "malfunctioning," he went on a rampage, destroying half of the Gizmo before (continued on page 2C)

Nerf War Begins in the Quads: 2 Die of Internal Hemhorraging

(Knox College, Galesburg IL) The snow covered quads of Knox College were an idyllic, pastoral scene, broken only by horrifying screams of violence and a blazing inferno. Twenty-four hours earlier the College's first all-out intramural Nerf War had begun, as students could no longer find any other ways to occupy their time. However, the participating students had no idea how "all-out" the war would become. "It just came out of nowhere, man," said one distraught student, "One minute we were all running around shooting each other with foam bullets, and the next minute Jake was dead!" Sources say that upon shooting all his foam bullets and not being able to find any of them, an unnamed male student became disgruntled. Amidst the ensuing screams, two students were killed. Of the few who could be reached for comment, one said "I don't think he was using regulation ammunition." Two of the new bullets were discovered, after an elemental analysis, to contain nearly toxic amounts of (continued on page 2C)

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